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The answer is so downright, so unlike the usual "a little," or "oh, nothing to signify," or "just when there is nobody else," and so on, that Geoffrey is rather taken back. "Mona, are you still there?" he says, with a return to consciousness: "did I dream, or did my father speak to me? How the night comes on!" He sighs wearily. "I am so tired,—so worn out: if I could only sleep!" he murmurs, faintly. "She is decidedly good to look at, at all events," says Nicholas, shifting ground. "Don't you think so, Violet?".
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"If she presses refreshments on you, Mona, say, 'No, thank you,' without hesitation," says Geoffrey, with anxious haste, seeing they are drawing near their journey's end. "Because if you don't she will compel you to partake of metheglin and unleavened bread, which means sudden death. Forewarned is forearmed. Nolly and I have done what we can for you." "In the National Gallery, do you mean?" asks Mona, with a pretty, puzzled frown on her brow. "Oh, no, Geoffrey; I shouldn't like that at all. To be stared at by everybody,—it wouldn't be nice, would it?" As for instance, in the morning his man assails him with the news that Micky Brian or Dinny Collins (he has grown quite familiar with the gentry around) "is without, an' would like to spake wid him." Need I remark that he has widely hired his own particular attendant from among the gay and festive youths of Bantry? "Of course you must come here," says Lady Rodney, who is afraid of the county and what it will say if it discovers she is at loggerheads with her son and his bride. But there is no welcome in her tone. And Geoffrey, greatly discouraged, yet determined to part friends with her for Mona's sake,—and trusting to the latter's sweetness to make all things straight in the future,—after a few more desultory remarks takes his departure, with the understanding on both sides that he and his wife are to come to the Towers on the Friday following to take up their quarters there until Leighton Hall is ready to receive them..
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